According to Deloitte, “Insurers have the potential to achieve even greater social good largely because they already act as society’s “financial safety net,” providing a backstop against financial loss for innumerable risks worldwide.”  

We’ve also seen an increase in insurers using their customers’ money to invest a in a range of causes; from Animal Friends Insurance supporting animal welfare with a variety of charity partnerships to LV=’s partnership with Family Action to support families through change, challenge and crisis. Beyond charity partnerships, how can insurance brands invest in media with ESG in mind? We look at everything from reducing wastage with increased targeting to using carbon calculators to measure impact.

It’s been a tough few years for all insurance companies, with a turbulent macro political landscape coupled with national economic and environmental hurdles. This has resulted in rising premiums and tightening coverage for higher risk policies – and in some cases coverage removed altogether. In a world where insurers are often mis-trusted, this heightened pressure-cooker environment is making it more challenging than ever for brands to position themselves as a trusted partner, protecting people from disaster.

However, with climate change posing a significant risk to communities and businesses worldwide, insurers will bear a substantial share of the financial burden through claims related to natural disasters. Therefore, there are both business and societal imperatives for them to act. This includes embedding ESG into their own business operations and rewarding sustainable behaviour from policy holders.

By changing underwriting practices, insurance companies can positively impact the environment

The surge in data and increasing AI adoption is an opportunity for insurers to become a catalyst for good. The depth of data now available means quotes can be more personalised than ever before. And by utilising AI to unlock hidden insights faster, personalisation can be offered at scale. This means people will be paying the correct premiums for their situation and can build a policy with exactly the right cover. However, with trust as one of the top motivators between choosing one insurer over another, it’s important to have complete transparency about how data is being collected, used and stored.

Another opportunity for insurance companies is to encourage environmental and societal good by embedding sustainability into their underwriting practices. This could be reducing premiums for insulated homes and EVs, or business insurers offering the construction industry discounts if they apply a green chemistry approach – which reduces pollution and improves overall yield efficiency. Stealing from a different industry, Diageo recently said that when it is looking at product innovation, it always looks for the ‘and’. Meaning that a product innovation only gets developed if it benefits customers, the business AND the environment. Applying this to insurance, ultimately the best claim for all parties is the one that didn’t happen – so by rewarding practices that are better for the environment, encourage safer behaviour or more concrete operations, it’s win/win for everyone.

Some insurers are already designing inclusive products and partnership to give back

Insurers can also design inclusive insurance products and it’s promising to see this already coming to fruition across the insurance landscape. Research into pet insurance shows that it’s the economically strained that are less likely to insure their pets, meaning pets in these households are less likely to get veterinary care when required. Animal Friends Pet Insurance is a great example of an insurance brand giving back, with every policy taken out helping it to support animal charities and conservancies around the world – donating more than £8.5m already. Meanwhile, LV= has partnered with Family Action, to help it support the 60,000 plus families with practical and emotional support at times of crisis, mirroring its role as an insurer.  In a similar vein, MoneySuperMarket and CALM launched a joint campaign to break the taboo that makes it difficult to talk about money worries – which affect our physical and mental health as well as putting strain on our relationships. Our client Simply Business, a small business insurance specialist, has social impact at the heart of everything it does. As a B Corp immersed in the business world, it champions small businesses and has multiple schemes to support entrepreneurs to thrive in challenging circumstances.

The insurance industry has the power to drive effective change in ESG advertising practices

As well as examining their external offerings, insurers must make sure they’re running their business as sustainably as possible. This includes re-imagining their advertising activity. As an industry, insurance is estimated to have spent £253m in advertising in 2024 so far. TV advertising represents 57% of this spend – meaning there’s a huge opportunity to make a difference when adopting sustainable practices. From the ad production – limiting travel, re-using footage, pre-empting future video requirements to using local suppliers – adopting a sustainable-first approach to the creative planning and production can make a huge difference.

Digital also makes up a significant proportion of this spend.  With an estimated 670 grams of CO2 per thousand impressions, at the scale of spend of UK insurance advertisers, this equates to a heavy footprint. Careful selection of digital partners can help reduce this by effective targeting and using lighter-loading assets.

When it comes to media buying, targeted campaigns across all channels will reduce waste. Not only will this lower the emissions of the campaign but will also save media budgets, resulting in both increased efficiency and effectiveness. It’s also important to understand the sway the industry can have on the advertising industry. With advertising powered by the advertisers, applying pressure on media partners to be more accountable across all elements of ESG, will force the media industry to adopt best-practice ESG principles.

Finally, Garm’s Media Carbon Calculator can measure emissions across all media channels. This allows for the off-setting of emissions through investment in reforestation or renewable energy projects as an example.

The opportunities for insurers to be the catalyst for change across all areas of ESG are huge. Designed to support people and businesses at a time of crisis, they can lend their weight to change consumer behaviour, offer more tailored support to people’s unique circumstances and ensure their own business operations and partners uphold high standards.

Jack joined MI Media earlier this year in the new role of senior data analyst to support the increasing volume of data analytics and modelling work the agency is undertaking for clients including The Children’s Society and Kindred. Here he gives us insights into what life is like as a senior data analyst at MI Media.

 

What led you to a career in media?

I completed my master’s in business analytics which opened me up to the world of data science, specifically the utilisation of machine learning & AI and the power this has in enforcing data driven decisions. My course looked at business across all industries, so I came out of uni being able to apply my skills to any industry and initially got a job in a Proptech company.
I had a real flair for econometrics, so when I was approached regarding a role at OMD UK that would use my data science skills, although I didn’t know much about media, I was intrigued. I had an interest in how these solutions led to businesses making smarter decisions around their marketing investment. I had an idea of how data would drive the media choices and strategy.

At MI, I’m leading the progression of data science at the company, solving clients’ problems and educating them about the tools that can be used to overcome problems using data. I helped to launch MIDAS, our all-in-one decision-making data framework that analyses and harnesses data to inform reactive and data driven decisions for clients and media teams. I also work on transforming companies’ data infrastructure, helping to automate the importation of data using Azure which allows quicker and more efficient decisions.

 

What does a typical day look like for you?

My days at MI tend to be very varied. I am often working on proposals for data science solutions and dealing with internal client requests regarding problems that can be solved with data science. It could be anything from developing and enhancing MIDAS to ensuring the smooth onboarding of clients, to continuing the advancement in data automation through the platform.
I collaborate every day with our media planning & buying teams throughout the whole of MI. They work with me to determine the right tools to suggest at right time; based on budgets, the problem in hand and data availability.

What advice would you give to someone looking to become a data analyst or data scientist?

Don’t stop learning about evolving technologies and techniques in the data science sphere. Become very familiar with how different data science techniques are used and the value they can bring. Your learning will be accelerated through experience in the industry. There are patterns in client problems therefore, once you understand a range of solutions, you can often apply these to many problems. Starting off in a company where I was learning from experts, such as an established data team, really helped me advance my skills and experience. Don’t be scared of suggesting innovative ideas or modifications to make solutions more effective.

 

Who’s your role model and why?

Robbie Williams is someone who springs to mind. Mainly because, after watching the documentary on Netflix about his life, it really brought out his determination and the way he dealt with his fears. I found it inspiring how he overcame those fears. Often, he would throw himself in the deep-end and run head-first into situations. But, as he’s gotten older, he’s become more emotionally intelligent and able to understand his own emotions and feelings.

Last week, together with creative agency GOOD, we launched a new campaign, Let’s Rethink, with national charity Rethink Mental Illness. Over half a million people in the UK are severely affected by mental illness. Three in five people living with a mental illness say the fear of how others perceive them has stopped them seeking support.

Let’s Rethink aims to challenge the stigma and discrimination so many experience. One of the most difficult things about living with a mental illness can be the judgement of others. The campaign launches with a 30 second film that flips the narrative and shows that it’s not what’s going on in the minds of those affected by mental illness that makes life hard, it’s what’s going on in ours. To reach a broad audience and encourage more people to rethink their attitudes towards mental illness, we secured a media partnership with ITV for the TV advert. The advert is supported by a social campaign that will run across paid channels and Rethink Mental Illness’ own platforms.

Both the advert and social campaign direct audiences to download a free guide, created by GOOD. The guide contains expert advice and practical tips to help the UK public better understand mental illness and help end the harmful cycle of stigma.

James Harris, Director of Communications and Campaigns at Rethink Mental Illness says “People severely affected by mental illness tell us that the challenges they face – including managing symptoms and striving to access timely care and treatment – are often exacerbated by the stigma and discrimination they encounter. Although there has been increasing awareness of mental health in recent years, understanding of severe mental illness has lagged behind.

As a result, people we support continue to face discrimination at home, in schools, and in the workplace. We wanted to shine a spotlight on mental illness with an impactful, thought-provoking campaign to encourage the public to reconsider their preconceptions about those severely affected by mental illness.”

The news that Google will no longer be depreciating third party cookies has been spoken about a lot, including by our partners at Search Labs. The main takeaways are: 

  • Google will still allow people to opt out of cookies permanently, there will be an impact felt by this 
  • Various browsers and operating systems had already disallowed third-party cookies, meaning the AdTech industry was already shifting to other forms of identity resolutions for tracking and measurement.  
  • To some degree, the drop in identifying signals will need to be replaced by modelling for both targeting and measurement  

This means that in reality, nothing much is changing… So, instead of going into more detail on why this matters, I wanted to ask a question: who does this matter to? Brands? Agencies? AdTech Vendors? Media Owners or Publishers? Who really needs the third-party cookie, or any of its alternatives, to stay in business? 

Brands

Brands don’t need cookies to generate revenue. They need their customers to buy their products. Yes, over the years the cookie has helped them do that by giving them a way to see which channels generate the best ROI, but cookies did not give clients the full picture anyway. 

This doesn’t mean that advertising is suddenly irrelevant because it’s harder to measure, or that adverts can’t reach the right audience. It just makes it harder for advertisers and their agencies to do it in the way they’ve long been accustomed, by using algorithms to do this for us. In fact, I would argue that it levels the playing field for comparing ROI across offline and digital media, which is a positive thing. 

Fundamentally though, successful campaigns that drive a strong ROI existed before the cookie and will continue to exist after them. Brands and their agencies do not need cookies to run successful businesses or even successful marketing campaigns.  

Ad Tech Vendors & Digital Publishers

The cookie has powered this section of the advertising ecosystem for years, playing a much more important role in their business models than brands’. The sheer scale of digital advertising inventory that became available as the internet grew necessitated a common way to value it at scale, in a way that everyone could use. Cookies did this by recording browser and website behaviour allowing vendors to use this information to build profiles and target audiences. However, this resulted in a model where the industry has ended up building ever more sophisticated models to game the system and chase these data signals.  

Over 50% of available web inventory is already cookieless and this is continuing to shrink, so the market has already had to adapt. AdTech vendors and digital publishers using cookie-based technology will continue to face issues in an ever-decreasing pool to identify and monetise audiences, which for advertising means fewer effective solutions. But the market is shifting. We’ve already seen several cookieless models appear and the power of first party data is becoming ever stronger.  

Contextual targeting, which prioritises the content surrounding an ad placement over the identity of a user, is one of the core ‘replacements’ for the cookie. In traditional media, a lot of value is placed on ensuring that media placements are contextually relevant. We buy certain airtime on TV at a premium because it’s contextually the most valuable. So why has digital marketing historically valued cookie-powered audience targeting above contextual relevancy? Brands and agencies certainly saw better short-term ROI when relying on cookies and AdTech vendors and publishers could certainly monetise more inventory. But in the end, did consumers get the best deal? 

Consumers

Let’s not forget that the driving force behind cookie depreciation is that many consumers found hyper personalisation and one-to-one targeting creepy and invasive. Who hasn’t been chased around the internet by ads powered by cookies or tried to read some content only for a delayed ad to load and push that content out of sight? We all know a site or two where the publisher has flooded its site with placements because they could make more money selling more inventory.  

All of this has culminated in a poor experience for many consumers on the open web. We know consumers like good advertising and are not ignorant to the value exchange that brands need to monetise their sites to create content. But consumers are clearly paying less attention to these ads than those on TV and other channels, as attention partners like Lumen can demonstrate time and time again. 

So, are cookies really vital for anyone across our industry?

Cookies allowed for a huge amount of data to be collected across the web. The industry took advantage of this new and unregulated data and sold the promise of hyper targeting, competitive advantage and huge sales growth. However, we have seen over time that regulation was required, user experience has diminished, and the digital world has joined a race to the bottom for the bidding algorithm. 

So, are cookies vital?  

Well, no. Cookies have been ‘on their way out’ for a number of years anyway. We will just need to continue to adapt as an industry. Maybe we will end up with a space which delivers more creative, more engaging and contextually relevant advertising to consumers, while delivering true value to clients. 

In the early hours of Monday 6 February 2023, two major earthquakes hit northwest Syria and southeast Turkey causing devastation on a vast scale. Médecins Sans Frontières’ (MSF) teams, who were already working in northern Syria, immediately launched an emergency response and began treating patients and delivering supplies.

As it receives no funding from governments, it is imperative that MSF can maximise its fundraising from moments like this where the work it does is thrust into the national conversation. This was the driving force behind developing MI Media’s Emergency Response, a set of principles and actions for a paid media response that will maximise the potential fundraising returns from heightened interest in a charity’s work.

Whilst a humanitarian crisis is an obvious opportunity for charities like MSF to push for donations, there are opportunities for the principles of the Emergency Response to be repeated across the charity sector. From Nigel Farage criticising the work of RNLI, to a significant public figure revealing a cancer diagnosis, to the increasing use of foodbanks across the UK; it doesn’t take much for the work that charities of all types and sizes are involved with to be brough to the top of the news agenda.

With emergencies often out of the news cycle as quickly as they are in, reacting quickly with an effective media response is imperative to maximising the chances of a positive fundraising campaign. Below are the core principles we apply before, during and after an emergency hits.

Before the emergency

Ensure decision makers are in support:

It’s all well and good to have a champion for Emergency Response activity but, if at the point of an emerging crisis, the people who approve advertising spend aren’t aligned, then it’s a complete non-starter. We ensure that everyone is bought in to the Emergency Response approach from the get-go which saves a lot of time further down the line.

Prepare media and creative response:

Whilst we can’t know when and how an emergency will arise; we develop an informed plan for how to respond before an emergency actually hits. Engaging with media owners, developing prepared media plans and working with the creative agency to develop a template for the creative execution are all done ahead of time. Remember, with the window of opportunity being as little as a few days, time is of the absolute essence for getting activity live.

At the point of and during the emergency

Determine the scale of the opportunity:

The key question we ask of any emergency is whether there is potential to jump on news coverage with paid support. Some stories that break don’t garner momentum and, for those, it may be futile to launch a paid campaign. Others, however, will break across a variety of news sources, will be discussed on social media and maybe even attract TV coverage. In such instances, a paid response should be taken very seriously indeed.

Tailor your creative:

Though having a creative template prepared before a response can save valuable time the moment an emergency hits, as soon as an emergency reveals itself, the creative must be tailored to the current context. We work with creative agencies to consider relevant imagery, facts & figures and different ways of storytelling. This is the moment to capture the public’s attention and secure their donations. It is paramount to underpin creative with a compelling call to action, highlighting the urgency of the situation and how your work plays a key role.

Make Donating Easy:

The crisis itself may engage with a broad audience of people who each have different preferences for how they like to donate. From press coupons and phone & text response to PayPal and website landing pages; we ensure that any charity we work with has a range of response mechanisms to prevent any donors from being excluded.

Keep on top of reporting:

Whilst an emergency may only garner news coverage for a couple of weeks, some do extend beyond that short period of time, Regardless, advertising remains effective even as news coverage tails off. We continue to track the sources of daily donations to determine whether public interest is still strong and that paid media should continue.

After the emergency

Provide transparent reporting:

After the crisis, sending out impact reports that show donors the difference their contributions made fosters trust and helps to develop long-term donor relationships. This may also help to combat the challenge that charities often face where donors give to the cause rather than a specific charity.

Adapt and develop your Emergency Framework:

In the first instance, a light budget test appropriate to determine whether a paid media response is appropriate. If it proves successful, the case for increased investment should be clear. However, even after an Emergency Framework has been established and implemented, we always review what can be done better. Is there a way to react even quicker to the emergency? Can a broader mix of media opportunities be explored? Is there an opportunity to engage with corporate and philanthropic donors? Charities can’t afford to rest on their laurels but should actively work to optimise the process and levels of investment to continue to make the most of these fantastic fundraising opportunities.

The window of opportunity for a charity to maximise donations around an emergency is small. Having a clear framework in place to deliver rapid advertising maximises support during the critical window when the need is greatest and public willingness to help is at its strongest.

 

Since January, we’ve been working with Coronation Street as one of its key characters, Paul Foreman, navigated his Motor Neurone Disease diagnosis. As his story reached its emotional conclusion last night, the MND Association Love Inside campaign ran in a media first ‘Coronation Street presents…’ ad break takeover, with a fresh call to join them in the fight against MND and fund vital research & support. 

The Love Inside launched in a media first with the first ever ‘Coronation Street Presents…’ ident. Throughout the rest of the campaign, we secured unprecedented access for the MND Association to Coronation Street’s storylines to ensure that we placed the ad’s airtime against the most relevant episodes and plots.  

The culmination of this campaign has seen us secure another media first with a ‘Coronation Street presents…’ ad break takeover. At the end of this emotional episode, a Coronation Street ident shared with viewers that they have been following Paul’s storyline on the soap and that for many MND sufferers and carers, this is a reality. The ident was followed by MND Association’s powerful ad before another Coronation Street ident then urged viewers to head to the MND Association website to find out how they can support the vital work of this charity. In the lead up to last night’s episode, we also placed ads in press titles including Woman’s Own and Radio Times, and around listings for Paul’s last episode in TV listing publications. 

Created by GOOD Agency, the ad is designed to reach more people and drive meaningful conversations about life with MND. The partnership we secured with ITV has provided the charity with a unique platform to work with the UK’s longest running and most watched TV show to raise national awareness of MND. 

To find out more about how you can support by raising awareness about MND, click here. 

When I was younger, back in the 1970’s, there were no real subscriptions. Getting your paper delivered daily was a kind of subscription, you paid for a week’s or month’s worth at a time.  You knew what you were getting and you could stop it at any time.

My magazine delivery of choice was Smash Hits. I loved it, looked forward to getting it, loved the in jokes and would take it to school to pore over the articles and of course… the posters.

But let’s fast forward to today: we are inundated with subscription services. A new entrepreneur comes up with a great new idea, others follow and it develops into a market of its own. Flowers, meals, beauty, booze – its endless. And of course, we cannot forget the largest subscription service of all: Netflix.

With all of them vying for our hard-earned money, what can these subscription services learn from publishing, which has long been thought of as a more traditional sector of media?

Where did the publishers’ digital subscription journeys start?

Compared to the heady days of the 1990’s, by the mid 2010’s more publishers found themselves in a quandary, losing money because of failing print circulations and declining advertising revenue.

In response to this, many publishers decided that their futures needed to be digital, without impacting the quality of journalism. Targets were set and over time the number of digital subscriptions increased. The problem became retaining subscribers. It’s rather like losing weight: getting to your goal is a long hard slog. It’s rewarding when you step on the scales and see the weight falling off. However, once you’ve reached your ideal weight, you’re then met with the challenge of keeping the excess weight off.

Using real-time audience insights fuel publishing content

The publishing industry, just like any brand should do really, is constantly asking itself: What is it that our customers actually want? Are we creating the right journalism for our customers?

To find this out, publishers are constantly gathering information about how every article published on their sites is performing and how subscribers and non-subscribers are engaging with them. As reported by Reuters, “Leading digital news organisations are developing distinct forms of editorial analytics tailored to help them pursue their particular goals… in informing both short-term day-to-day decisions and longer-term strategic development.” This shift in publishing behaviour has mean that, today, the decision on what content is published digitally no longer lies with a single editor. It is instead informed by the data, insight and engagement figures provided by readers. It is this that fuels publishers’ content.

What can other subscription services learn from this approach?

For consumers, subscriptions are brilliant… until you don’t need or want them anymore. That’s the core challenge every subscription service is ultimately up against.

I used to subscribe to a beauty company that sent me five items in a box every month. But the company never got to know me: what I liked, what I didn’t like. It didn’t ask. It continued sending me similar products that weren’t informed by any insights on my product preferences. So, when the price of the subscription went up, I realised that out of the five items, three of them went unused month after month. Then and there I decided to just stop. I didn’t need it anymore.

The two lessons I took from the publishing industry’s approach are simple, but effective. Subscriptions are about a need state, does your customer need and want your product? Get to know your customers and give them what they want. When you’ve mastered that, work to make your product the best there is.

If you don’t, there is a small window, 18 months tops, until they will simply cancel.

Premiering on the 1st September, entertainment is everywhere you look in 32Red’s incREDible latest ad as comedian Red Richardson embodies characters in each of the exclusive casino games 32Red has to offer. Soundtracked by Scissor Sisters’ iconic track, Filthy/Gorgeous, the campaign marks a new chapter in 32Red’s efforts to explore fresh and engaging ways to connect with its audience as an entertainment brand and encourage new players.  

Following extensive Marketing Insight work, we identified key programming and radio stations that will maximise reach to the target audience; securing high profile cherry pick spots including during Channel 4’s The Last Leg this Friday, whistle break spots including the England vs Finland game on ITV next Tuesday and late-night films with C4 later this month. Alongside this TV activity, the campaign will run across VOD and Radio, including new activity on Capital.   

The campaign centres around a series of ads that are designed to showcase a variety of 32Red’s products to capture the attention and imagination of viewers. Titles on display include 32Red’s exclusive games based on the ITV gameshows ‘Tipping Point’ and ‘I’m a Celeb’, as well as slots like Immortal Romance 2. 

Adam Gaskell, 32Red’s Head of UK Marketing, added: “We’re thrilled to launch this new campaign featuring Red Richardson as our new brand ambassador. The energy and wit he brings are perfectly aligned with the 32Red brand and we believe this campaign will set a new standard for how we engage with our customers.” 

Crocs stepped into the market back in 2002, founded by three friends who were keen boaters. United over their love for the water and their frustration with the lack of appropriate boating footwear, they decided to take matters into their own hands (or feet!) and thus the Croc emerged from the water and onto shop shelves.

Marketing Insight – Crocs’ reputation had them shaking in their shoes

While Crocs first positioned itself in the market as a functional shoe used for various water activities, word soon spread about their practicality and comfortability. Crocs quickly became “the shoe” to wear when sprucing up the garden, pottering around the house and even for nurses and chefs who are on their feet all day.

It was clear Crocs had an outstanding product and if it could be marketed to a wider audience, this could really accelerate the growth of its sales. Crocs had one key challenge it had to overcome first: moving brand perception away from “fashion disaster”. 2008 was a difficult year, Crocs faced a total net income loss of 185 million dollars and to top it off, in 2010 the shoe brand was included in the list of 50 Worst Inventions in Times Magazine. Even in 2016, Google search rankings revealed “memes” was the third most common word linked to Crocs on the search platform. The brand knew it had to change direction and switch things up.

 

Media Innovation – The shoe is on the other foot

Collaborations and partnerships have played a key role in Crocs’ successful marketing strategy, with a wide range of high-profile celebrities, fashion designers and brands getting on board. Limited edition Crocs even saw the likes of KFC releasing the fried chicken Croc.

The brand’s strategic choice of celebrity collaborations has been the primary driver behind its success. Instead of opting for partnerships with celebs who are under the spotlight, the brand cleverly partnered up with legitimate fans of the brand. We saw this exemplified with the likes of Justin Bieber and Post Malone. These marketing campaigns blew up because fans of these celebs saw a genuine collaboration, rather than false advertising for commercial benefit.

Partnerships saw Crocs transform its brand perception from being a practical product to one that had entered the fashion arena. The most iconic partnership was in 2021 with Balenciaga and the $850 high heel Croc which sold out in a matter of hours. This unlikely relationship created so much buzz, leading to a ton of free PR that most brands would pay a great deal for. Love them or hate them, everyone was speaking about the Croc brand and as Demna Gvasalia, Balenciaga’s creative director, says: “fashion is subjective”.

Strategically choosing who to partner with was Crocs’ first step to collaboration success. Its second was tactfully limiting the availability of these high-profile collabs. Economics 101 states that by limiting supply you drive up demand and Crocs certainly capitalised on this theory. By deliberately constraining product supply, consumers are driven to buy these Crocs as quickly as possible before they sell out. The best example of this was with Bad Bunny’s Crocs, which sold out within 16 minutes and led to 1,300 fans signing a petition for Crocs to release more.

While Crocs saw huge success from these high-profile collaborations, it didn’t ignore the importance of smaller influencers too.  Crocs knew that by focusing on micro-influencers, it could appeal to a wider and more engaged audience. Whilst these influencers may have a smaller following, their followers are usually extremely loyal. The inclusion of influencers into Crocs’ marketing campaigns meant that social media played a critical role. Influencer’s weren’t the only people showcasing Crocs across social media platforms, the brand also encourages its customers to share their love for Crocs.  The “Come As You Are” campaign urged people to share what makes them unique with the hashtag #ComeAsYouAre. This user-generated content builds trust and acts as free advertising for the brand. To further broadcast the campaign, Crocs created a musical style ad with brand-ambassador Drew Barrymore singing the lyrics “get comfortable in your own shoes”.

 

Accelerating Growth – Hitting the ground running

Since 2017, when new CEO Andrew Rees joined the brand, the success of Crocs’ marketing efforts is undeniable with a long list of positive results and achievements. The brand went from the 50 Worst Inventions list in 2010 to Amazon’s number one best-selling product across clothing, shoes and jewellery in 2022. Two years after Rees joined, Crocs jumped from 30th to 13th most popular footwear brand amongst American teens.

Popularity surveys aside, Crocs’ figures speak for themselves. The brand saw huge success after being unprofitable for four out of eight of the years between 2009 and 2016. Not only did its revenue double between 2019 and 2021, but its net profit also increased five-fold. Many cynics suggested the cause of this success was purely due to fact that people were sourcing an “at home” pandemic shoe, and growth wasn’t sustainable. But Crocs proved this theory wrong when it saw year-on-year net revenue grow 54% in 2022 and a further 11% in 2023.

Having powered through the notion of being a “pandemic fad”, it is still up for debate whether Crocs will wind up just another dated fashion trend. However, the brand has proven the power of partnership marketing. It’s seen great success by widening its audience and aligning itself expertly with the right influences and brands. Whether you love them or hate them, what was once considered an ugly shoe is now a fashion statement.

SME Insurer Simply Business explodes onto UK screens to help small businesses feel ‘THE BEST’

LAUNCHING EXCITING NEW ‘SIMPLY THE BEST’ CAMPAIGN FOR SME INSURER, SIMPLY BUSINESS

Simply Business, one of the UK’s biggest providers of small business insurance, today launches its brand new ‘Simply The Best’ TV ad – a memorable play on Tina Turner’s 1980s hit ‘The Best’, which captures the feeling of knowing your business is protected.

MI Media oversaw media for the campaign across national TV and VOD. It will kick off with a high-profile ad break on Sky Sports during the Premier League’s opening game and feature around key Paralympic Games coverage. We’re launching with longer 40″ spots to ensure brand cut-through and will follow this strategy with 30″s and 10″s to cost-effectively increase frequency, make it more salient and ensure people remember the ear worm. This approach supports our client Simply Business on its growth trajectory with brand investment, demonstrating the value of AV investment beyond short-term metrics.

Building on the previous ‘You Name It. We Insure it’ campaign which we also launched for Simply Business in 2022, the new creative represents an exciting new milestone for Simply Business as the company look to help even more small businesses across the UK find the insurance that’s right for them. The ad continues to bring an energy to a category which can sometimes feel intimidating to small business owners.

The campaign launch coincides with applications opening for Simply Business’ annual Business Boost competition, which offers one lucky winner a £25,000 cash grant to help them fuel big dreams for their small business. Simply Business has given away over £85,000 to small business winners over the past four years. Small businesses can keep updated on when 2024 entries can be submitted on the Simply Business website. Entries are open until 15th October this year and the winner will be selected by an expert panel of judges.

The ad was created in partnership with creative agency Truant and directed by award-winning filmmaker Fred Rowson through Blink.