This week we launched new client Welcome to the Jungle’s first ad campaign following the acquisition of the UK-based platform, Otta in January 2024. 

The job search platform that empowers businesses and candidates to find their ideal match. Its AI powered insights and expert support helps businesses and candidates navigate the world of work, creating more transparency for all involved. Created in partnership with a variety of leading creative partners, the campaign plays on ‘love-it or hate-it’ pairings; from socks and sliders to pineapple and pizza, encouraging job seekers to “choose the company that’s meant for you.” The campaign aims to raise awareness amongst 24-40-year-old job hunters in and around London looking for their next role; firmly establishing Welcome to the Jungle as the leading candidate-centric job search experience. 

The January launch aligns with a key time of year for job searches when many are motivated to make career moves in their New Year’s resolutions. Research shows that Mondays are the peak for job searches so, to target candidates on their commute as they start their working week, ads will be placed across key commuter OOH locations in London including Kings Cross, Liverpool Street and Waterloo. A study by The Office for Health Improvement and Disparities claims that 7 in 10 UK adults experience ‘the Sunday scaries’, with most citing the upcoming work week as the reason. To distract themselves, Welcome to the Jungle’s target audience turns to social media, therefore the OOH will be supported by display and social across Meta, TikTok and LinkedIn.

Marketing Insight – how could McDonald’s fight growing competition?

Despite being the leading fast-food brand in the Netherlands, growing competition saw McDonald’s struggle to maintain top-of-mind awareness. In a world of convenience and snackability, in more ways than one, McDonald’s needed a campaign that would captivate and engage audiences and reinforce its key market position. 

Now, McDonald’s has some pretty recognisable assets in their armoury. You can’t miss the ‘Golden Arches’ or mistake that tuneful whistle for any other brand, but there was one other trick up Ronald’s sleeve, the iconic smell of a McDonald’s French fry! 

Media Innovation – scented billboards: is smell an underused brand asset?

So how do you capture that iconic smell and turn it into a marketing campaign? The answer? Smell-o-vision!… Well, sort of. TBWA\Neboko, McDonald’s Netherlands advertising agency, partnered with Raúl&Rigel, a production company specialising in unusual billboards, to create an innovative scented billboard for the campaign. 

The world-first activation featured plain red & yellow billboards (in the classic Maccies colours). Not a word, picture or logo in sight as the billboards were hiding a clever secret. Equipped with an internal heating and ventilation system, the billboards released the scent of the McDonald’s fries hidden within to passers-by within five metres of the installation. Billboards were strategically placed within 200 metres of restaurant locations in the Dutch cities of Utrecht and Leiden. “We are always looking for ways to give iconic brand assets their own place in culture,” Darre van Dijk, CCO of TBWA\Neboko said, “The smell of McDonald’s French fries is one of those iconic features.” 

Accelerating Growth – McDonald’s most successful PR campaign

It’s no secret that many of us are driven by food. From the heady aromas of a coffee shop in the morning to freshly baked goods at lunch, smells trigger a hunger with a potent need to satisfy. That is exactly what McDonald’s scented billboard campaign succeeded in creating. A street survey revealed that 87% of passers by recognised the McDonald’s scent and 71% of them could distinguish the smell of French fries, demonstrating a strong brand recall. 

The campaign also triggered huge online engagement, reaching over 1.5bn in its first week and over 85,000 engagements. The result, an earned media value of €49.9 million, marked it as McDonald’s Netherlands’ most successful PR campaign. 

Could this be the start of a new kind of experiential advertising? Might we see, or rather smell, roses from bus stops promoting Valentine’s flowers, or will the smell of spiced lattes takeover tube stations during our winter morning commutes? 

Brittany Bryan joined MI Media as a senior account executive last year, working across clients including The Children’s Society and RNID. Here she gives us insights into what life is like as a senior account executive at MI Media.

What led you to a career in media?

I always knew I wanted a career in media. My mum said that when I was a baby I used to hyper-focus on the ads when they came on TV, I’d spend more time watching adverts than I would the actual TV programmes! As I grew older, my interest didn’t waver and I chose to study advertising at university. I basically see advertising like history, ad campaigns can tell you so much about cultural trends and pop culture of the time. I love to geek out on that! 

I finished university during Covid, so it was difficult to find a way into the industry. I spent a good year applying for roles and signed up to Creative Access which provided me with interview tips and jobs to apply for. Eventually, I secured my first job at Essence as an Account Executive and after 2.5 years I joined the team here at MI Media as a Senior Account Executive. 

What does a typical day look like for you?

I am in constant communication with my clients who always have interesting questions for me to respond to. I spend a lot of my time reviewing campaign performance and finding new ways to optimise and improve our results. This means that I am always researching new innovations in media, undertaking competitor reviews and using this knowledge to help decide how we can make our clients’ campaigns even better.  

What is your proudest moment at MI?

The first time I presented a post campaign analysis (PCA) at MI Media I was really nervous. I’d never been the main presenter of a PCA, in the past they had been a team effort with different people presenting different components. However, for our client RNID, I was able to take control of the whole process. I had worked really hard on the campaign and delivered great results; we delivered 12x the number of conversions we were targeted against while remaining under budget! The presentation went really well and the client was ecstatic with the results. 

What advice would you give to someone looking to become a Senior Account Executive?

Always be curious and have a thirst for the industry that you’re going into. There are so many ways you can learn more about the industry. Consider shadowing, find mentors that can coach you in their skills and go to networking events. There’s a misconception that networking is just for more senior people already in the industry, but you can find out so much about different media owners and what they do at these events 

What mistake have you learned from the most?

There isn’t one mistake in particular that stands out. I take all mistakes as a learning opportunity and don’t dwell on it. Every time I’ve made a mistake, whether it’s been how I’ve presented something or maybe missing a tactic to optimise a campaign, I’ve noted down what I’ve done and what I can do in the future if I find myself facing a similar challenge again. 

Who’s your role model and why?

I have found in every single person I’ve worked with. I find inspiration from my account director and his client knowledge which helps push me to learn more. I find inspiration from how my business director always thinks outside of the box, thinking of five different ways to take on a piece of information. I see how different people work and take pieces from each of them that I want to emulate in my own work 

According to Deloitte, “Insurers have the potential to achieve even greater social good largely because they already act as society’s “financial safety net,” providing a backstop against financial loss for innumerable risks worldwide.”  

We’ve also seen an increase in insurers using their customers’ money to invest a in a range of causes; from Animal Friends Insurance supporting animal welfare with a variety of charity partnerships to LV=’s partnership with Family Action to support families through change, challenge and crisis. Beyond charity partnerships, how can insurance brands invest in media with ESG in mind? We look at everything from reducing wastage with increased targeting to using carbon calculators to measure impact.

It’s been a tough few years for all insurance companies, with a turbulent macro political landscape coupled with national economic and environmental hurdles. This has resulted in rising premiums and tightening coverage for higher risk policies – and in some cases coverage removed altogether. In a world where insurers are often mis-trusted, this heightened pressure-cooker environment is making it more challenging than ever for brands to position themselves as a trusted partner, protecting people from disaster.

However, with climate change posing a significant risk to communities and businesses worldwide, insurers will bear a substantial share of the financial burden through claims related to natural disasters. Therefore, there are both business and societal imperatives for them to act. This includes embedding ESG into their own business operations and rewarding sustainable behaviour from policy holders.

By changing underwriting practices, insurance companies can positively impact the environment

The surge in data and increasing AI adoption is an opportunity for insurers to become a catalyst for good. The depth of data now available means quotes can be more personalised than ever before. And by utilising AI to unlock hidden insights faster, personalisation can be offered at scale. This means people will be paying the correct premiums for their situation and can build a policy with exactly the right cover. However, with trust as one of the top motivators between choosing one insurer over another, it’s important to have complete transparency about how data is being collected, used and stored.

Another opportunity for insurance companies is to encourage environmental and societal good by embedding sustainability into their underwriting practices. This could be reducing premiums for insulated homes and EVs, or business insurers offering the construction industry discounts if they apply a green chemistry approach – which reduces pollution and improves overall yield efficiency. Stealing from a different industry, Diageo recently said that when it is looking at product innovation, it always looks for the ‘and’. Meaning that a product innovation only gets developed if it benefits customers, the business AND the environment. Applying this to insurance, ultimately the best claim for all parties is the one that didn’t happen – so by rewarding practices that are better for the environment, encourage safer behaviour or more concrete operations, it’s win/win for everyone.

Some insurers are already designing inclusive products and partnership to give back

Insurers can also design inclusive insurance products and it’s promising to see this already coming to fruition across the insurance landscape. Research into pet insurance shows that it’s the economically strained that are less likely to insure their pets, meaning pets in these households are less likely to get veterinary care when required. Animal Friends Pet Insurance is a great example of an insurance brand giving back, with every policy taken out helping it to support animal charities and conservancies around the world – donating more than £8.5m already. Meanwhile, LV= has partnered with Family Action, to help it support the 60,000 plus families with practical and emotional support at times of crisis, mirroring its role as an insurer.  In a similar vein, MoneySuperMarket and CALM launched a joint campaign to break the taboo that makes it difficult to talk about money worries – which affect our physical and mental health as well as putting strain on our relationships. Our client Simply Business, a small business insurance specialist, has social impact at the heart of everything it does. As a B Corp immersed in the business world, it champions small businesses and has multiple schemes to support entrepreneurs to thrive in challenging circumstances.

The insurance industry has the power to drive effective change in ESG advertising practices

As well as examining their external offerings, insurers must make sure they’re running their business as sustainably as possible. This includes re-imagining their advertising activity. As an industry, insurance is estimated to have spent £253m in advertising in 2024 so far. TV advertising represents 57% of this spend – meaning there’s a huge opportunity to make a difference when adopting sustainable practices. From the ad production – limiting travel, re-using footage, pre-empting future video requirements to using local suppliers – adopting a sustainable-first approach to the creative planning and production can make a huge difference.

Digital also makes up a significant proportion of this spend.  With an estimated 670 grams of CO2 per thousand impressions, at the scale of spend of UK insurance advertisers, this equates to a heavy footprint. Careful selection of digital partners can help reduce this by effective targeting and using lighter-loading assets.

When it comes to media buying, targeted campaigns across all channels will reduce waste. Not only will this lower the emissions of the campaign but will also save media budgets, resulting in both increased efficiency and effectiveness. It’s also important to understand the sway the industry can have on the advertising industry. With advertising powered by the advertisers, applying pressure on media partners to be more accountable across all elements of ESG, will force the media industry to adopt best-practice ESG principles.

Finally, Garm’s Media Carbon Calculator can measure emissions across all media channels. This allows for the off-setting of emissions through investment in reforestation or renewable energy projects as an example.

The opportunities for insurers to be the catalyst for change across all areas of ESG are huge. Designed to support people and businesses at a time of crisis, they can lend their weight to change consumer behaviour, offer more tailored support to people’s unique circumstances and ensure their own business operations and partners uphold high standards.

Jack joined MI Media earlier this year in the new role of senior data analyst to support the increasing volume of data analytics and modelling work the agency is undertaking for clients including The Children’s Society and Kindred. Here he gives us insights into what life is like as a senior data analyst at MI Media.

 

What led you to a career in media?

I completed my master’s in business analytics which opened me up to the world of data science, specifically the utilisation of machine learning & AI and the power this has in enforcing data driven decisions. My course looked at business across all industries, so I came out of uni being able to apply my skills to any industry and initially got a job in a Proptech company.
I had a real flair for econometrics, so when I was approached regarding a role at OMD UK that would use my data science skills, although I didn’t know much about media, I was intrigued. I had an interest in how these solutions led to businesses making smarter decisions around their marketing investment. I had an idea of how data would drive the media choices and strategy.

At MI, I’m leading the progression of data science at the company, solving clients’ problems and educating them about the tools that can be used to overcome problems using data. I helped to launch MIDAS, our all-in-one decision-making data framework that analyses and harnesses data to inform reactive and data driven decisions for clients and media teams. I also work on transforming companies’ data infrastructure, helping to automate the importation of data using Azure which allows quicker and more efficient decisions.

 

What does a typical day look like for you?

My days at MI tend to be very varied. I am often working on proposals for data science solutions and dealing with internal client requests regarding problems that can be solved with data science. It could be anything from developing and enhancing MIDAS to ensuring the smooth onboarding of clients, to continuing the advancement in data automation through the platform.
I collaborate every day with our media planning & buying teams throughout the whole of MI. They work with me to determine the right tools to suggest at right time; based on budgets, the problem in hand and data availability.

What advice would you give to someone looking to become a data analyst or data scientist?

Don’t stop learning about evolving technologies and techniques in the data science sphere. Become very familiar with how different data science techniques are used and the value they can bring. Your learning will be accelerated through experience in the industry. There are patterns in client problems therefore, once you understand a range of solutions, you can often apply these to many problems. Starting off in a company where I was learning from experts, such as an established data team, really helped me advance my skills and experience. Don’t be scared of suggesting innovative ideas or modifications to make solutions more effective.

 

Who’s your role model and why?

Robbie Williams is someone who springs to mind. Mainly because, after watching the documentary on Netflix about his life, it really brought out his determination and the way he dealt with his fears. I found it inspiring how he overcame those fears. Often, he would throw himself in the deep-end and run head-first into situations. But, as he’s gotten older, he’s become more emotionally intelligent and able to understand his own emotions and feelings.

Last week, together with creative agency GOOD, we launched a new campaign, Let’s Rethink, with national charity Rethink Mental Illness. Over half a million people in the UK are severely affected by mental illness. Three in five people living with a mental illness say the fear of how others perceive them has stopped them seeking support.

Let’s Rethink aims to challenge the stigma and discrimination so many experience. One of the most difficult things about living with a mental illness can be the judgement of others. The campaign launches with a 30 second film that flips the narrative and shows that it’s not what’s going on in the minds of those affected by mental illness that makes life hard, it’s what’s going on in ours. To reach a broad audience and encourage more people to rethink their attitudes towards mental illness, we secured a media partnership with ITV for the TV advert. The advert is supported by a social campaign that will run across paid channels and Rethink Mental Illness’ own platforms.

Both the advert and social campaign direct audiences to download a free guide, created by GOOD. The guide contains expert advice and practical tips to help the UK public better understand mental illness and help end the harmful cycle of stigma.

James Harris, Director of Communications and Campaigns at Rethink Mental Illness says “People severely affected by mental illness tell us that the challenges they face – including managing symptoms and striving to access timely care and treatment – are often exacerbated by the stigma and discrimination they encounter. Although there has been increasing awareness of mental health in recent years, understanding of severe mental illness has lagged behind.

As a result, people we support continue to face discrimination at home, in schools, and in the workplace. We wanted to shine a spotlight on mental illness with an impactful, thought-provoking campaign to encourage the public to reconsider their preconceptions about those severely affected by mental illness.”

The news that Google will no longer be depreciating third party cookies has been spoken about a lot, including by our partners at Search Labs. The main takeaways are: 

  • Google will still allow people to opt out of cookies permanently, there will be an impact felt by this 
  • Various browsers and operating systems had already disallowed third-party cookies, meaning the AdTech industry was already shifting to other forms of identity resolutions for tracking and measurement.  
  • To some degree, the drop in identifying signals will need to be replaced by modelling for both targeting and measurement  

This means that in reality, nothing much is changing… So, instead of going into more detail on why this matters, I wanted to ask a question: who does this matter to? Brands? Agencies? AdTech Vendors? Media Owners or Publishers? Who really needs the third-party cookie, or any of its alternatives, to stay in business? 

Brands

Brands don’t need cookies to generate revenue. They need their customers to buy their products. Yes, over the years the cookie has helped them do that by giving them a way to see which channels generate the best ROI, but cookies did not give clients the full picture anyway. 

This doesn’t mean that advertising is suddenly irrelevant because it’s harder to measure, or that adverts can’t reach the right audience. It just makes it harder for advertisers and their agencies to do it in the way they’ve long been accustomed, by using algorithms to do this for us. In fact, I would argue that it levels the playing field for comparing ROI across offline and digital media, which is a positive thing. 

Fundamentally though, successful campaigns that drive a strong ROI existed before the cookie and will continue to exist after them. Brands and their agencies do not need cookies to run successful businesses or even successful marketing campaigns.  

Ad Tech Vendors & Digital Publishers

The cookie has powered this section of the advertising ecosystem for years, playing a much more important role in their business models than brands’. The sheer scale of digital advertising inventory that became available as the internet grew necessitated a common way to value it at scale, in a way that everyone could use. Cookies did this by recording browser and website behaviour allowing vendors to use this information to build profiles and target audiences. However, this resulted in a model where the industry has ended up building ever more sophisticated models to game the system and chase these data signals.  

Over 50% of available web inventory is already cookieless and this is continuing to shrink, so the market has already had to adapt. AdTech vendors and digital publishers using cookie-based technology will continue to face issues in an ever-decreasing pool to identify and monetise audiences, which for advertising means fewer effective solutions. But the market is shifting. We’ve already seen several cookieless models appear and the power of first party data is becoming ever stronger.  

Contextual targeting, which prioritises the content surrounding an ad placement over the identity of a user, is one of the core ‘replacements’ for the cookie. In traditional media, a lot of value is placed on ensuring that media placements are contextually relevant. We buy certain airtime on TV at a premium because it’s contextually the most valuable. So why has digital marketing historically valued cookie-powered audience targeting above contextual relevancy? Brands and agencies certainly saw better short-term ROI when relying on cookies and AdTech vendors and publishers could certainly monetise more inventory. But in the end, did consumers get the best deal? 

Consumers

Let’s not forget that the driving force behind cookie depreciation is that many consumers found hyper personalisation and one-to-one targeting creepy and invasive. Who hasn’t been chased around the internet by ads powered by cookies or tried to read some content only for a delayed ad to load and push that content out of sight? We all know a site or two where the publisher has flooded its site with placements because they could make more money selling more inventory.  

All of this has culminated in a poor experience for many consumers on the open web. We know consumers like good advertising and are not ignorant to the value exchange that brands need to monetise their sites to create content. But consumers are clearly paying less attention to these ads than those on TV and other channels, as attention partners like Lumen can demonstrate time and time again. 

So, are cookies really vital for anyone across our industry?

Cookies allowed for a huge amount of data to be collected across the web. The industry took advantage of this new and unregulated data and sold the promise of hyper targeting, competitive advantage and huge sales growth. However, we have seen over time that regulation was required, user experience has diminished, and the digital world has joined a race to the bottom for the bidding algorithm. 

So, are cookies vital?  

Well, no. Cookies have been ‘on their way out’ for a number of years anyway. We will just need to continue to adapt as an industry. Maybe we will end up with a space which delivers more creative, more engaging and contextually relevant advertising to consumers, while delivering true value to clients. 

In the early hours of Monday 6 February 2023, two major earthquakes hit northwest Syria and southeast Turkey causing devastation on a vast scale. Médecins Sans Frontières’ (MSF) teams, who were already working in northern Syria, immediately launched an emergency response and began treating patients and delivering supplies.

As it receives no funding from governments, it is imperative that MSF can maximise its fundraising from moments like this where the work it does is thrust into the national conversation. This was the driving force behind developing MI Media’s Emergency Response, a set of principles and actions for a paid media response that will maximise the potential fundraising returns from heightened interest in a charity’s work.

Whilst a humanitarian crisis is an obvious opportunity for charities like MSF to push for donations, there are opportunities for the principles of the Emergency Response to be repeated across the charity sector. From Nigel Farage criticising the work of RNLI, to a significant public figure revealing a cancer diagnosis, to the increasing use of foodbanks across the UK; it doesn’t take much for the work that charities of all types and sizes are involved with to be brough to the top of the news agenda.

With emergencies often out of the news cycle as quickly as they are in, reacting quickly with an effective media response is imperative to maximising the chances of a positive fundraising campaign. Below are the core principles we apply before, during and after an emergency hits.

Before the emergency

Ensure decision makers are in support:

It’s all well and good to have a champion for Emergency Response activity but, if at the point of an emerging crisis, the people who approve advertising spend aren’t aligned, then it’s a complete non-starter. We ensure that everyone is bought in to the Emergency Response approach from the get-go which saves a lot of time further down the line.

Prepare media and creative response:

Whilst we can’t know when and how an emergency will arise; we develop an informed plan for how to respond before an emergency actually hits. Engaging with media owners, developing prepared media plans and working with the creative agency to develop a template for the creative execution are all done ahead of time. Remember, with the window of opportunity being as little as a few days, time is of the absolute essence for getting activity live.

At the point of and during the emergency

Determine the scale of the opportunity:

The key question we ask of any emergency is whether there is potential to jump on news coverage with paid support. Some stories that break don’t garner momentum and, for those, it may be futile to launch a paid campaign. Others, however, will break across a variety of news sources, will be discussed on social media and maybe even attract TV coverage. In such instances, a paid response should be taken very seriously indeed.

Tailor your creative:

Though having a creative template prepared before a response can save valuable time the moment an emergency hits, as soon as an emergency reveals itself, the creative must be tailored to the current context. We work with creative agencies to consider relevant imagery, facts & figures and different ways of storytelling. This is the moment to capture the public’s attention and secure their donations. It is paramount to underpin creative with a compelling call to action, highlighting the urgency of the situation and how your work plays a key role.

Make Donating Easy:

The crisis itself may engage with a broad audience of people who each have different preferences for how they like to donate. From press coupons and phone & text response to PayPal and website landing pages; we ensure that any charity we work with has a range of response mechanisms to prevent any donors from being excluded.

Keep on top of reporting:

Whilst an emergency may only garner news coverage for a couple of weeks, some do extend beyond that short period of time, Regardless, advertising remains effective even as news coverage tails off. We continue to track the sources of daily donations to determine whether public interest is still strong and that paid media should continue.

After the emergency

Provide transparent reporting:

After the crisis, sending out impact reports that show donors the difference their contributions made fosters trust and helps to develop long-term donor relationships. This may also help to combat the challenge that charities often face where donors give to the cause rather than a specific charity.

Adapt and develop your Emergency Framework:

In the first instance, a light budget test appropriate to determine whether a paid media response is appropriate. If it proves successful, the case for increased investment should be clear. However, even after an Emergency Framework has been established and implemented, we always review what can be done better. Is there a way to react even quicker to the emergency? Can a broader mix of media opportunities be explored? Is there an opportunity to engage with corporate and philanthropic donors? Charities can’t afford to rest on their laurels but should actively work to optimise the process and levels of investment to continue to make the most of these fantastic fundraising opportunities.

The window of opportunity for a charity to maximise donations around an emergency is small. Having a clear framework in place to deliver rapid advertising maximises support during the critical window when the need is greatest and public willingness to help is at its strongest.

 

Since January, we’ve been working with Coronation Street as one of its key characters, Paul Foreman, navigated his Motor Neurone Disease diagnosis. As his story reached its emotional conclusion last night, the MND Association Love Inside campaign ran in a media first ‘Coronation Street presents…’ ad break takeover, with a fresh call to join them in the fight against MND and fund vital research & support. 

The Love Inside launched in a media first with the first ever ‘Coronation Street Presents…’ ident. Throughout the rest of the campaign, we secured unprecedented access for the MND Association to Coronation Street’s storylines to ensure that we placed the ad’s airtime against the most relevant episodes and plots.  

The culmination of this campaign has seen us secure another media first with a ‘Coronation Street presents…’ ad break takeover. At the end of this emotional episode, a Coronation Street ident shared with viewers that they have been following Paul’s storyline on the soap and that for many MND sufferers and carers, this is a reality. The ident was followed by MND Association’s powerful ad before another Coronation Street ident then urged viewers to head to the MND Association website to find out how they can support the vital work of this charity. In the lead up to last night’s episode, we also placed ads in press titles including Woman’s Own and Radio Times, and around listings for Paul’s last episode in TV listing publications. 

Created by GOOD Agency, the ad is designed to reach more people and drive meaningful conversations about life with MND. The partnership we secured with ITV has provided the charity with a unique platform to work with the UK’s longest running and most watched TV show to raise national awareness of MND. 

To find out more about how you can support by raising awareness about MND, click here. 

When I was younger, back in the 1970’s, there were no real subscriptions. Getting your paper delivered daily was a kind of subscription, you paid for a week’s or month’s worth at a time.  You knew what you were getting and you could stop it at any time.

My magazine delivery of choice was Smash Hits. I loved it, looked forward to getting it, loved the in jokes and would take it to school to pore over the articles and of course… the posters.

But let’s fast forward to today: we are inundated with subscription services. A new entrepreneur comes up with a great new idea, others follow and it develops into a market of its own. Flowers, meals, beauty, booze – its endless. And of course, we cannot forget the largest subscription service of all: Netflix.

With all of them vying for our hard-earned money, what can these subscription services learn from publishing, which has long been thought of as a more traditional sector of media?

Where did the publishers’ digital subscription journeys start?

Compared to the heady days of the 1990’s, by the mid 2010’s more publishers found themselves in a quandary, losing money because of failing print circulations and declining advertising revenue.

In response to this, many publishers decided that their futures needed to be digital, without impacting the quality of journalism. Targets were set and over time the number of digital subscriptions increased. The problem became retaining subscribers. It’s rather like losing weight: getting to your goal is a long hard slog. It’s rewarding when you step on the scales and see the weight falling off. However, once you’ve reached your ideal weight, you’re then met with the challenge of keeping the excess weight off.

Using real-time audience insights fuel publishing content

The publishing industry, just like any brand should do really, is constantly asking itself: What is it that our customers actually want? Are we creating the right journalism for our customers?

To find this out, publishers are constantly gathering information about how every article published on their sites is performing and how subscribers and non-subscribers are engaging with them. As reported by Reuters, “Leading digital news organisations are developing distinct forms of editorial analytics tailored to help them pursue their particular goals… in informing both short-term day-to-day decisions and longer-term strategic development.” This shift in publishing behaviour has mean that, today, the decision on what content is published digitally no longer lies with a single editor. It is instead informed by the data, insight and engagement figures provided by readers. It is this that fuels publishers’ content.

What can other subscription services learn from this approach?

For consumers, subscriptions are brilliant… until you don’t need or want them anymore. That’s the core challenge every subscription service is ultimately up against.

I used to subscribe to a beauty company that sent me five items in a box every month. But the company never got to know me: what I liked, what I didn’t like. It didn’t ask. It continued sending me similar products that weren’t informed by any insights on my product preferences. So, when the price of the subscription went up, I realised that out of the five items, three of them went unused month after month. Then and there I decided to just stop. I didn’t need it anymore.

The two lessons I took from the publishing industry’s approach are simple, but effective. Subscriptions are about a need state, does your customer need and want your product? Get to know your customers and give them what they want. When you’ve mastered that, work to make your product the best there is.

If you don’t, there is a small window, 18 months tops, until they will simply cancel.