This month’s day in the life is with digital account director, Rianne Clarey. In our chat, Rianne tells us how a fascination with left and right-brain thinking led her to a career in the media industry and why you should never assume that anyone you encounter at work knows anything or everything!

What led you to a career in media?

Left and right-brain thinking has always interested me, but I never thought that I was either super creative or super analytical. Media & advertising is an industry that allows you to combine the two. Initially, I wanted to be a graphic designer within the advertising industry. Then at school my friend got me a two-week work placement at her uncle’s creative agency and I fell in love with the work. After that, whenever I had any spare time in my college years, I would head back to Regent Street and continue my work experience there. 

After completing a degree in advertising, I had the panic realisation that I needed a job, quickly! I applied for everything I could within the industry which is how I came to working in digital teams in agencies. During my first interview they were throwing acronyms at me from every angle. Even though I didn’t know what CPM or CPAs were at the time, I got the job! Having joined the agency’s affiliate team, I started to hear about interesting work going on in the paid social teams. I offered my time to help them out wherever I could until, eventually, I was able to make the move across to paid social.  

From there I joined a multi-channel agency where I discovered that I love data. I enjoy being able to analyse the effects that our media decisions have had on a business. Since then, I’ve specialised in search and social across different media agencies.   

What does a typical day look like for you?

There’s a real balance in my days throughout the week. Working from home on Mondays and Fridays are really when I get deskwork done, catching up on emails and working through reports. When we get into the office on Tuesday to Thursday, things are much more collaborative where I can catch up with the team and speak to clients. 

On the days at home, I get my head down and focus on new strategies and proposals, considering how we can optimise campaigns. Alongside my day-to-day work, I think it’s so important to keep up with market trends and learn something new. It makes it more existing for us as a team, but just as importantly it’s how brands grow and how we grow as an agency.  

What mistake have you learnt the most from?

One lesson that has always stuck with me is to never assume other people’s knowledge. In my earlier years as an executive and a manager, I had a habit of overcomplicating things to get my point across. I believed that everyone needed to know every inch of detail, when in fact this would confuse the client. 

Clarity is key, don’t feel idiotic about really spelling things out. Even if you think your team or your client already knows something, they might not. This applies equally to presentations: the simpler the better. Never assume that anyone knows anything or everything! 

Who’s your role model and why?

Even though he’s not media related, I would say my brother. After an error with a vaccination before a family holiday to Egypt, he developed a condition called CIDP which is a form of MS. Throughout his life he’s always been really sporty. My dad was a rugby coach at the time and my brother always played; with CIDP he thought he would have to stop playing. However, even when things were looking quite bad for him, he never gave up. He always strived for better and never let anything get in his way. He’s very inspirational and I really look up to him for that. 

Marketing Insight

Like many of the best ideas, Quad Lock was born as a solution to a problem. Chris Peters, an industrial designer and avid cyclist, needed a secure way to mount an early iPhone to his bike. Finding no solution in-market, Peters and co-founder Rob Ward developed a case-based mount system featuring a unique twist-lock mechanism (with a distinctive blue locking tab). This became the first Quad Lock bike mount, launched via Kickstarter in 2011.

The product gained traction, establishing Quad Lock’s name among cyclists globally. Feedback showed that motorcyclists were repurposing the bike mount, so Quad Lock adapted its design and started marketing to motorbike riders just two years after launching. From two wheels, the company introduced mounts for cars, running and everyday use; turning Quad Lock into a multi-activity brand rather than a single-use gadget. Each new product was tailored to the user’s needs but centred on the same original locking mechanism and investment in robust design and materials.

Accelerating Growth

Quad Lock solved a problem and sold the solution to the right audience in the right way. It removed barriers to purchase from day one, but understood that reputation and trust were key to driving growth. Global growth doesn’t have to be driven by multi-million-pound TV campaigns, but it’s not driven by ecommerce alone either. Solving a consumer problem and being true and authentic to your proposition will always yield the best results.

Quad Lock has built a base of millions of loyal customers, of which 75% come directly to the brand. From a $35,000 Kickstarter in 2011, Quad Lock grew to $196m in sales in 2024.

It may not be the sexiest product, but any brand that has grown as consistently while staying true to its vision (and achieving a $500m acquisition in the meantime) gets my vote for an Accelerate Growth journey.

Marketing Insight

Stanley has been providing top quality Tupperware and drinkware since 1913. Trusted by hikers and workers, the brand had a reputation for being practical and long lasting. As a $70m a year business that had survived for over a hundred years, it would be considered very successful by most people.

Whilst the cup is undeniably well designed (as a proud owner myself, I can vouch for that personally), design alone wouldn’t have given it the global status it now has. The rise of the Stanley Cup was timed perfectly with the growth of the multi-million-pound wellness industry. Exercise, fashion and, importantly, hydration were all becoming intertwined. Just like the 10,000 steps a day trope seeded in the public imagination by a pedometer company, Stanley was primed to jump on the global trend of people obsessed with getting their two litres a day.

Accelerating Growth

With over 100 colour ways and the constant launch of new collaborations the Stanley Cup craze shows no signs of abating. Cut to today and Stanley continues to be plastered across TikTok and, thanks to the cross-bottle ‘handsfree hydration’ range launch, worn with pride IRL.

The Quencher, now more well-known as the Stanley Cup, remains the brand’s best-seller. But, by becoming synonymous with this one product, Stanley has become a household brand with sales across the whole range benefitting as a result. From a business that was bringing in $70m a year, Stanley reached a remarkable $750m valuation in 2023.

We’re delighted that our work with SME business insurer Simply Business has won Bronze in the TV / CTV category at The Drum Awards for Media.

The TV / CTV category rewards campaigns that leverage television, connected TV (CTV), cinema and streaming platforms to deliver impactful marketing messages and engage audiences across traditional and digital environments. The winning campaigns demonstrate how these channels were strategically integrated to maximize reach, enhance targeting capabilities and engage the target audience. 

When it comes to our entry for Simply Business, it’s no secret that the insurance market is a crowded space. From opera singers and iconic meerkats, standing out isn’t easy. It takes something special to make people sit up and take notice. Simply Business set about doing just that. It had historically relied on generic PPC search and price comparison websites to drive business but recognised an opportunity to grow the number of direct customers. We needed to increase awareness and consideration for Simply Business, ultimately leading to more customers buying direct.

Truant’s creative concept centres around a memorable play on Tina Turner’s 1980s hit ‘The Best’ which captures the feeling of knowing your business is protected. Our media strategy used contextual advertising, placing Simply Business’ ad alongside TV programming that showed the euphoria of success. During a summer of sport, we secured access to premium live events, including the Premier League’s opening game and Paralympics Opening Ceremony. This was supported by spots across what we termed ‘skilled reality’ programming: reality shows that feature an element of competition.

The results of our approach were quite simply… the best! Simply Business has grown to record highs in both awareness and consideration. As of August 2025, the campaign has delivered a 50% and 28% increase in spontaneous and prompted awareness respectively, while consideration levels have increased by 18%. These improvements in brand health are reflected in the Simply Business journey, as branded search has increased by 52%, resulting in a +22% YoY growth in policies sold via brand search.

To read about this campaign in more detail head to our case study page. To see the full awards results, head to The Drum Awards page.

ActionAid UK, the international charity working to achieve social justice, gender equality and poverty eradication, this week launches its bold new fundraising campaign, Side by Side, which champions the inspiring women rebuilding their lives after crisis.

Amid rising anti-refugee rhetoric both in the UK and abroad, the campaign calls on viewers to “stand with women across borders, side by side” by committing to a regular donation that helps displaced women establish new livelihoods.

After two years off air, ActionAid UK returns to TV with a powerful message that centres the authentic experiences of women, amplifying their voices as they tell their own stories in their own words.

The number of forcibly displaced people has almost doubled over the last two decades, standing at one in 67 people globally, according to UNHCR – with women and girls among those most at risk.

ActionAid UK partners with women-led groups who work alongside women refugees, helping them to rebuild their lives with dignity and strength, as well as support other women.

The Side by Side film highlights the compelling stories of two remarkable women:

• Gloria, who fled conflict in the Democratic Republic of Congo and found refuge in Uganda, where she trained as a tailor and now inspires other women to do the same.
• Leokadia, who escaped the war in Ukraine and found safety in Poland, where she set up a cooking academy to help other refugee women earn an income.

Their stories demonstrate how regular donations to ActionAid empowers women to take control of their futures, support their families and strengthen their communities.

The campaign will run across national TV, with media planning and buying managed by MI Media.

Sabina Basi, Funding Director, at ActionAid UK, said: “At ActionAid, we believe that all women – anywhere in the world – deserve a life of dignity and hope. Side by Side celebrates women’s resilience and leadership, as well as the tangible impact they make to their communities — and calls on all of us to stand with them in solidarity, not as victims of crisis, but as agents of change.”

You can read about media partnerships we’ve developed for ActionAid here and here.

This month’s day in the life is with our finance director, Jerome Charles. In our chat, Jerome speaks to us about the route he took into finance within the advertising industry and how what you see as mistakes changes as your career evolves.

What led you to a career in finance?

I was good at numbers throughout school and a maths degree followed which led me into a career in sales. Unfortunately, while I liked the idea of it, it turned out I wasn’t particularly good at sales. When a job opened up in the accounts department at the same company it was a no brainer, I jumped at the opportunity. Accounting felt so much more comfortable to me. I am far happier looking at a spreadsheet rather than writing a speech or presenting a deck.

That first role was in a company selling knowledge on the property overseas market. After the 2008 recession, the company went through a tricky time and, even though I was still junior, I became the sole person on the finance team. I left to go travelling and when I returned, after a finance role in theatre turned out to be surprisingly corporate, I was offered a role in the media industry. It was an eye opener into a much more interesting industry for me in a far more relaxed environment. I was also lucky to begin working under a great finance director who I followed to subsequent roles.

What does a typical day look like for you?

One of the beauties of finance is that there are specific deliverables which give your days and weeks structure. In my role as finance director, I must strike the right balance between the strategic: planning, forecasting and performance, and the supportive: making sure that every stakeholder in the business has what they need to do their jobs. A huge part of my role is supporting my team and the SLT with their work, I have to manage that while bringing a strategic financial perspective across different areas of the business.

What mistake have you learnt the most from?

As you progress through your career ladder, I think what you see as mistakes changes. I remember earlier on in my career I would have said that accuracy is king. When the primary part of job is transactional then you want to be as accurate as possible. As your career develops you begin to understand that trying to be too accurate can in itself be a mistake. As an FD, you shouldn’t be aiming for everything to be perfect before broaching an idea. It’s far quicker and more effective to develop your ideas until they’re 90-95% there, then open them out to collaboration with your MD and senior leadership team to get them over the line. It’s a mistake for any FD to put the responsibility for anything solely on themselves.

Who’s your role model and why?

My old FD who I have worked with a couple of times over the years, Sukhdev Poonian, was fantastic. We worked together for six or seven years and in that time, he took me from being a quite green in junior accounting to a senior management level. What was nice about our relationship was that while I was on that journey, he had a massive impact on me in terms of technical capability, but I also had an impact on him too as he became a much more extroverted and confident FD. We worked incredibly well together and took a lot from each other. I really enjoyed seeing him grow into both a well-rounded and button-tight, technical accountant while also working on his commercial and personal side. Seeing that example of someone senior that was still developing who they were as a professional has stayed with me throughout my career.

This week we launched a powerful new fundraising TV advert with international humanitarian organisation, Médecins Sans Frontières (MSF). The campaign highlights what it means to donate by reinforcing the life-saving impact of regular giving.

The campaign, created by krow Group, is a bold step forward for the charity’s communications, bringing donors inside the action. With the aim of increasing monthly donations, the ad highlights the importance of donations, and how they directly impact MSF’s ability to deliver long term, independent medical aid in areas affected by conflict, disaster and disease. The ad will run across TV, VOD and Social as part of MSF’s wider Winter Campaign, in rotation with ‘The Life Saving Moment’ ad, launched in October.

Amid an overwhelming backdrop of global crises, ‘Part of the Team’ invites viewers to see themselves not as passive bystanders, but active participants. The emotionally charged film transports a donor from her living room into MSF’s world.  It places them inside an MSF frontline operating theatre, shoulder to shoulder with medical staff, to feel the urgency, witness the stakes and experience what it means to play a vital role – not as a bystander, but as part of the team.

Told through a minimalist, spot lit visual language and using sound to seamlessly transition the donor between the comfort of home and the urgency of the frontline. It captures both the emotional weight and the importance of MSF’s work. The message is simple but powerful ‘Stand with Us’.

Michaela Campion-Smith, Acquisition and Emergency Fundraising Lead at Médecins Sans Frontières said, “We know people want to help during times of crisis but often feel disconnected from the impact they can have. This film bridges that gap, showing that when someone donates, they’re not just giving money, they’re stepping into the story, becoming part of the team that saves lives.”

You can read about how we increased MSF’s donations by 50% YoY with last year’s winter appeal here.

Following the launch of OpenAI’s TV campaign, business director Annabelle Sitwell spoke to The Media Leader about how this move follows in the footsteps of many other tech giants before it.

It feels like OpenAI has broken its own fourth wall, stepping outside of its virtual world and into a world that it’s had us believe was nothing but a distant memory… linear TV.

Whilst much has been made of OpenAI’s move into TV, it seems to me that this was the logical next step. Fellow tech giant Google has always run high-budget, emotion-led traditional media advertising. Its TV ads focus on the humanity behind the searches and it’s often leant heavily into OOH to showcase its live data feeds with hyper-localised weather or traffic data.

Digital channels bring early adopters, traditional advertising deliver mainstream reach

This is the natural progression of a tech product launch. Using digital channels in the first instance to get early adopters onto the platform whilst every element is going through beta enables the team to optimise processes like product features, UX and pricing strategy. It’s important to remember that ChatGPT is likely still in its relative infancy – even though we’re already on v5! According to itself, it was first launched in 2018, but it was the 2020 version that garnered global attention. In a world where engineers need real usage data to optimise and roadmap new features, managing a gentle but steady growth curve is best. It’s important to remember how slow and often inaccurate the early versions were. Large uptake wasn’t an option. However, with all future-facing products natural growth will plateau (the same was seen with electric cars). And with large investment rounds it needs to gear up for the next level. This is the moment when brand campaigns across trusted advertising channels will deliver the mainstream reach these platforms need to become universally used.

Channel effectiveness: knowing what works and by how much

At its core, MMM quantifies how each media channel contributes to incremental sales or conversions. Using historical data on spend, impressions, sales and external factors such as competitor activity; MMMs estimate the ROI of a channel. In Bayesian, something called a posterior distribution is generated, which represents a range for the ROI of that channel, not just a single point estimates (e.g. the ROI for TV is likely between 2 -2.4).

The key metrics that emerge include:

• ROI (Return on Investment): incremental revenue per pound spent on a channel
• Elasticity: how responsive sales are to percentage changes in channel spend
• Credible intervals: the probability range for each channel’s true ROI (e.g. 50% probability that the true channel ROI lies between 2- 2.2)

For decision-makers, this means more than just knowing ‘TV performs better than social’. The outputs allow clients to ask their media agencies, “how confident are you that TV performs better than social?”

Response curves: finding the point of diminishing returns

One of the most valuable outputs of an MMM is the spend-response curve. These show how each channel’s performance scales with increased spend, capturing aspects known as ad stock (how long ads keep working after airing) and saturation effects (when returns diminish at higher channel spends).

These are estimated through nonlinear transformations made to the data using specialist functions which describe how a KPI approaches a plateau as media spend increases. Put simply, it tells you how much is too much (over-saturation) and how much is too little (under-saturation).

These curves help media agencies and their clients:

• Identify optimal spend levels per channel before diminishing returns kick in
• Understand marginal ROI at each channel spend level
• Recognise under- and over-invested channels which helps optimise spend
• Build intuitive ‘what-if’ scenarios showing the incremental revenue for different media budget channel splits or scenarios

MMM takes marketers from intuition to evidence-based decision making

The re-emergence of MMMs helps marketers use data to move from intuition-based to evidence-based media investment decisions. When MMMs are built robustly and are validated by channel experts, they undoubtably enable smarter media planning. MMMs help marketers answer key business questions such as where to spend more or where to cut and how confident we are in the return on our investment.

Modern MMMs, using techniques such as Bayesian, provide outputs alongside uncertainty. This is powerful because levels of risk can be communicated alongside more typical MMM outputs such as channel saturation, budget optimisation and scenario analysis.

At MI Media, MMM outputs are communicated to clients in MIDAS, our automated reporting dashboard which adds interactivity, allowing our clients to play with ROI tables, response curves, KPI contribution charts, budget optimisation scenarios and more. While this adds a useful interactive element over traditional presentations, it’s still important that we work closely with our clients to discuss the key business findings and how they will affect future media decisions.

Our latest membership campaign with the Woodland Trust launched earlier this month, encouraging everyone across the UK to enjoy the autumnal drama of our woods. The campaign highlights that, by becoming a member of the Woodland Trust, people can help protect and ensure the safety of our woodland’s trees and wildlife for years to come.

As the UK’s largest woodland conservation charity, the Woodland Trust already has strong brand awareness, this latest campaign needs to move audiences down the funnel to consideration and conversion.

To give people a reason to act now and become members, our Woodland Trust membership campaign will use contextual placements that build on moments of heightened emotion when people are learning about the issues and paying attention to the issues we’re facing.

To reach a combined audience of those that actively campaign for greener living as well as those that make small, conscious choices in their days to be greener but don’t actively campaign, the Woodland Trust membership campaign will run across highly contextual and engaging channels including radio Do Good Trails across the Heart network, on podcasts including That’s Just Wild & The Plodcast and in content partnerships with the Guardian and the Telegraph. We have also partnered with Goodnet, an ESG platform that curates YouTube creator lists based on the full spectrum of ESG that will place the Woodland Trust against better quality, contextual content while lowering its carbon footprint for the digital activity.

You can read more about our appointment by the Woodland Trust here.