“Saturday night at the movies, who cares what picture you see,” sang The Drifters in their 1965 hit. But you know what? I do. I really do care what I see.

And whilst I’m proud to say Vin Diesel’s Don Toretto in Fast & Furious has shaped what I think family really means and I got all teary eyed at the end of Mission: Impossible – Dead Reckoning, there’s still nothing quite like spotting the A24 logo at the start of a trailer and getting all weak at the knees.

So how did a company that started life in 2012 as a film distributor, only turning to production four years later, become as recognisable and revered as cinema’s great directors and stars?

In short, it’s not just down to good branding. It’s a masterclass in accelerating growth; built on gut instinct, sharp taste and an openness to do things differently.

Marketing Insight

When A24 was founded in 2012, the major studios were focusing on big franchises and rubbing their hands at the cash cow of yet another superhero movie. Oh, and actually, the superhero from that movie over there is gonna be in a movie with this superhero over here and isn’t that just fucking marvellous. As A24 co-founder Daniel Katz said, “Films didn’t seem as exciting to us as when we started our careers and that signalled an opportunity.”

And so, the big bet was born. A24 didn’t try to compete with far bigger studios by playing it safe and aiming to pick up scraps of franchise movies that would appeal to a mass audience. It focused instead on the not-so-small audiences that were craving something radically different: better storytelling, weird & colourful storylines and films that won’t be turned into sequels, prequels and origin stories. The evidence was already quietly there that A24’s bet stood a good chance of winning. Films like Drive and The Master were building loyal cult followings whilst Letterboxd, launched in 2011, was turning millions of under-35s into obsessive cinephiles.

Looking at the titles distributed across those early inception years – Spring Breakers, Under the Skin, Locke, Amy, Ex Machina, Swiss Army Man, The Lobster – we see films that tick the boxes that A24 was looking for. But more than awards and five-star reviews, these films were shaping something more powerful: a brand that people who really loved cinema could trust.

Marketing Insight

Media Innovation

“Our filmmakers make amazing movies, so we have to do bold things to make them happen.” David Fenkel, A24, co-founder.

The big problem, though: it isn’t quite enough to shine a light on something a little different and then expect it to weave its way into the cultural ether. Films like Ex Machina could easily have been buried without a trace, if not for A24’s innovative approach to advertising.

The co-founders have regularly stated that they simply didn’t have the funds to compete with the major players, particularly through traditional forms of advertising. One thing they did have, though, was an understanding of internet culture.

Through innovative campaigns across far cheaper digital channels and guerrilla marketing tactics, A24 ensured that its movies reached maximum hype potential, particularly among those pesky Gen Z and Millennial audiences.

For Ex Machina, they created a fake Tinder profile named Ava that matched with users at SXSW and turned out to be a chatbot promoting the film. For The Witch, they made Twitter accounts for various characters, including a satanic goat. For Hereditary, they sent creepy dolls to influencers and critics.

This wasn’t just about creating online buzz and hoping for a Daily Mail sidebar mention. It’s about building a brand identity so distinctive that people know exactly what they’re getting when they see an A24 logo: originality, unease, aesthetic perfection and a story that sticks with you.

Accelerating Growth

In 2016, A24 moved from solely distributing films into producing them, starting with Moonlight. That film, not La La Land, would go on to win Best Picture at the 2017 Oscars, marking the start of A24’s reputation as a real contender in Hollywood.

By 2023, A24 received a record-breaking 18 Academy Award nominations across six films, taking home nine Oscars, including Best Picture, Best Director and Best Actress for Everything Everywhere All at Once. It was the most successful night for any studio that year and the moment A24 went from indie darling to industry leader.

So now, audiences can probably spot an A24 film before the logo appears. And in an era of algorithm-driven blockbusters that kind of trust, built on years of taste-led decisions and smart risk-taking, might just be the most valuable brand in cinema.

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